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The Cunningham Studio, 55 Bethune St., NYC Performed at the Douglas Dunn Studio, 508 Broadway, New York City, weekends. Choreoconcert Series, The New School, 66 West 12th St., NYCįebruary - Part I Part II: 32’. Dancers: Douglas Dunn, Epp Kotkas, Sara Rudner, Howard Vichinsky, David Woodberry. 9' Film of 101 by Amy Greenfield filmed during the exhibit. The Douglas Dunn Studio, 508 Broadway, New York City, 7 weeks, 4 hours/day.
Set: DD, with assistance in construction by David Woodberry. The Douglas Dunn Studio, 508 Broadway, New York City, two or three weekendsĪpril 2 - May 18 & October 2-13– 101: Solo Performance Exhibit. Dancers: Douglas Dunn, Laleen Jayamanne, Epp Kotkas, David Woodberry. Performed at Exchange Theater, 463 West St., New York City Performed on Young Choreographers' Sampler, Theater at Saint Clements, 423 W. October 27,28 - ORANGE MY DARLING LIME: 15'. Choreoconcert Series, The New School, 66 West 12th St., NYC Performed at the American Center, rue du Dragon, one night only. Presented once or twice at the Minor Latham Theater, Barnard College, New York City Performed at The Merce Cunningham Studio, 55 Bethune St., New York City It was your way of trying to entertain the people who got there so early. It was a problem! At some point you said I’m going to go out there and start improvising and join me in about 15 minutes. So we were in the small studio warming up and people were arriving at all different times.
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We advertised it on our flyer as starting at 8:30, Video Exchange that shared West Beth with Merce and was producing this series of concerts had advertised us starting at nine and some other place advertised our show starting at eight. The other thing I remember is that there was a mixup with the advertisement for our concert.
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I guess she didn’t know how to ask for help. She looks terrible! “You replied “oh, don’t you trust Yvonne to ask for help if she needs it? “Two weeks later was the suicide attempt. I remember saying to you as we left going down the steps, “I don’t think we should leave Yvonne alone.
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When she did, she only opened the door a crack and handed it to us, and she looked just terrible, like she had been crying for days. We went to her loft to pick it up and it took her a long time to answer the door. The week before the concert we needed to borrow Yvonne’s Wollensack tape recorder to use for our rehearsal. There was an audience sitting 360 around us! Even Merce was there! My two strongest memories about the whole thing have nothing to do with the dancing. Yes, we each did three solos and these bookend duets. Performed at Laura Dean’s loft, 61 Crosby St., NYC June 19 - ONE THING LEADS TO ANOTHER: 70'. MC pieces danced by DD in addition to above:ġ968-70 - DD member of Yvonne Rainer & Groupġ970-76 - DD founding member of Grand Union Performs under the direction of various choreographers: Jamie Cunningham Tina Croll Barbara Dilley Bill Dunas Cathy Posinġ969-73 - DD member of Merce Cunningham & Dance Company.ĭances made by MC while DD was in the company, 1969 through spring of 1973 (not chronological): Studies at the Merce Cunningham Studio on 3rd Avenue with Margaret Jenkins on Mulberry Street with Richard Thomas (ballet) uptown. Teaches Spanish at Gunnery School, Washington CT dances off & on with Joseph Albano’s Albano Ballet in Hartford, CT Studies in NYC: Martha Graham School Robert Joffrey Ballet with Hector Zaraspe & Françoise Martinet Danilova performs with Norwalk Ballet Summer: Attends Jacob’s Pillow as scholarship student studies with Ted Shawn, Marie Adair, Margaret Crask, Gus Solomons jr., Goya & Matteo, La Meri, Pauline Koner sees many ballet, modern and traditional companies. DD dances various roles at McCarter Theater, including Benno in Swan Lake Winter/Spring: DD begins study at Princeton Ballet Society with Audrée Estey, Lila Bruner (former dancer with New York City Ballet), Maggie Black (former dancer with Royal Ballet), Roland Guerard (former dancer with Ballet Russes).
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